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Stories from the Subtext

by Amsterdam Station

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1.
Up before the dawn we seize the day, In the valley of our lives We fall in line one by one We are the foreign thunder with the rising sun Beckoned by duty’s call With a firm belief in “all for one and one for all” as the cadence that we proudly preach As we march our way to the sea To defend the land we’ve known to call home To insure a place where our sons and daughters can thrive So walk a mile in my boots and you’ll see That this shit ain’t for cowards who give up in the hour of defeat Strap your shoulders back and come out strong If you intend to defend your life and civil liberties To defend the land we’ve known to call home. To insure a place where our sons & daughters can thrive. To know that the soldier beside you would save your life.
2.
Headlights 04:22
Headlights shine Fade and dim Shadows dance On the walls within your room Let us in Sunday's best Draped in chairs Cool and calm With our shaking hands Anxious to the touch and feel I see lights bend and blur beneath The colors break and collide Fractured hues illuminate The life within your eyes And how I've long to Hang my hat inside Of the house you call a home And take my name as your own Tops of trees Burning with their Autumn leaves In the fashion of a passion I would like to find
3.
White Dove 04:12
Waiting around by the clock it’s a quarter to five And I’m hell bent and spent on the fringes of life Where you stand in my helpless hands And the doctors telling me “Well son my apologies But we’ve done all that we could, but your wife and child...” Well he shook his head and walked away as I felt the levy break and purged the world of everything I’d come to love Heaven if your on my side show me the road Help me Lord ‘cause I can’t feel anymore I’ve taken all that I can endure this time. So does he have your eyes Does he have your smile Does he laugh out loud for all of the while Does he sing your praise like I do Or is he shy at all Does he woo the crowd with all of my charm I can only hope for when St. Peter won’t Tell me to step out of line He said “step out of line boy it’s not your time” So I step out of line
4.
You’ve said it once before The mystery behind these walls Lives within the cracks and The breaks upon these weathered stones And I know that you’ve done your fair share of Chiseling away at all the distractions That I have been setting up for your persistent questioning And endless games of playing the victim to the point Where I come undone So it seems that there comes a time Where we all fall in love and then fall out of line Seasons they change and time wears us all By endlessly spinning our worlds back and forth But here me now Let it go Let it rise above Let it sink below Cause its all the same to me when you live your life in a fantasy The knelling bell is ringing in your ears All the things that you’ve come to fear This is the consequence of a life you lead Where tomorrow just seems obsolete For love is a martyr and I am its ghost Aimlessly wondering among these Heavenly hosts in a failed attempt To find someone better than you
5.
Burn 04:22
The curtains fall The public leave our names in the theater marquis The accolades that we receive are nothing more than the labors lost and grieved. Cause I was wrong never knowing when the point to come back from where we came And now we’re lost Yeah we’re lost behind the fame Let it burn, Let it burn. From the ash to the earth From the soot to the sky I let it burn The fall from grace, the great divide the labors lost here is burning our remains ‘Cause yeah we’re lost But you’re lost and unashamed Let it burn, Let it burn. the ash to the earth From the soot to the sky I let it burn I’ve been in love and been left estranged So I’m giving up now and burning what remains Slow dancing in time this love has passed us by So arrogant now to see Arrogant now to know Arrogant so, Let it burn Let it burn Let it burn all that remains Let it burn.
6.
Warden 04:04
7.

credits

released July 26, 2014

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Amsterdam Station Atlanta, Georgia

Chris Connelly, Andy Potash, Greg Jarvis, and Shafer Gray

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